NEW YORK — After experimenting with various kinds of music, Juanes returns to his roots with “Origen,” a covers album by which he pays tribute to essentially the most influential artists in his life and profession, from Joe Arroyo and Bruce Springsteen to Bob Marley and Juan Luis Guerra.
By way of 12 songs together with Carlos Gardel’s “Volver,” Joaquín Sabina’s “Y Nos Dieron Las Diez” and Bob Marley’s “May You Be Cherished,” the Colombian rock star travels to his childhood and adolescence in “Origen,” his tenth studio album.
“I feel it was one thing that my soul was asking for,” Juanes mentioned in a current video interview from Miami. “After experimenting with various kinds of music, at this level in my profession and at my age I spotted that returning to that origin was very mandatory.”
The album encompasses kinds as numerous as tango, merengue, heavy steel, folks, reggae, vallenato, pop and, after all, rock. It contains the singles “El Amor Después Del Amor” by Fito Páez, in a rock and gospel model, and Springsteen’s basic “Dancing In The Darkish” as a slower folks and in Spanish.
Launched on Friday by Common Music Latin, “Origen” is accompanied by a documentary on Amazon Prime, produced by José Tillán and directed by Kacho López, by which Juanes explains why he selected every of the songs. He additionally talks to Guerra, Sabina and Páez about their songs, and channels iconic performances from the ‘60s by the ‘80s together with the primary Beatles look on “The Ed Sullivan Present.”
The 2-time Grammy and 23-time Latin Grammy winner informed the AP in regards to the affect of Kraken — a rock band from his native Medellin — on his choice to be a musician and laid out how he plans to make music any longer.
Solutions have been edited from brevity and readability.
Q. The album contains 12 songs. Had been any left that you’d have preferred to incorporate?
A. So many! I made an enormous playlist of songs that had linked with me in my life, however we selected these 12 for a lot of highly effective causes. These are those that had extra influence on the reminiscence of my youth, my adolescence, my childhood. It was an unimaginable train to placed on one other track type of like a costume, as if I had been an actor.
Q. And also you don’t solely put on it metaphorically. Within the documentary, you channel the Beatles and different artists, reworking your self with wigs and make up and outfits. What was that like?
A. We had loads of enjoyable doing this documentary. We needed to have that visible ingredient and likewise we took a danger by doing this, as a result of we mentioned, “What if we’re just like the Beatles in ‘The Ed Sullivan Present’, once they got here to the USA, however singing ‘Volver’ by Gardel, or Juan Gabriel?” It was so enjoyable simply to expertise that sort of performing.
Q. You additionally present within the documentary the reactions of some creators of the unique songs to your covers. What was Bruce Springsteen’s response to your Spanish model of “Dancing within the Darkish?”
A. He liked the track. We despatched the track to his administration months in the past earlier than we shot the documentary and he liked it. He mentioned, “OK, that is good for me, you guys can launch that.” And for me that was enormous, ? We received his OK and that was actually vital. Not simply from him, however from all the opposite artists.
Q. You sing “May You Be Cherished” in English. Why translate “Dancing within the Darkish?”
A. You realize, once I went to Bruce Springsteen’s track and I noticed the lyrics, I discovered the track very highly effective in a method that may be very human and really weak, and I feel at that time — that was throughout COVID — I simply needed for all Spanish talking folks to know it. And we take the track wish to a mid-tempo, it’s extra like a folks sort of vibe, however with the lyrics is Spanish it sounds so highly effective. I simply find it irresistible.
Q. You performed fairly with the rhythms of the songs. Guerra’s “La Bilirrubina” is not solely a merengue, as an example.
A. A part of the preliminary thought was to not keep near the unique as a result of competing in opposition to these variations can be unattainable. So what we did was getting away as a lot as we might, whereas respecting the melody and the tempo of the track and the tonality of a lot of the songs. I co-produced this album with Sebastián Krys and our work collectively was very particular. It was like once we had been at school and the instructor mentioned “free drawing,” that you possibly can do no matter you needed, and that artistic freedom was very cool — with the ability to go for the bachata, the reggae, bringing components of Colombian percussion, the guitar’s rock, the drums. And the way in which we recorded the album was very natural, there may be nothing programmed right here, these are folks taking part in. I actually wanted that too.
Q. You discuss within the documentary in regards to the band Kraken and what an important affect it had on you. What reminiscences do you’ve of that point?
A. Effectively, with Kraken, I used to be in highschool and I bear in mind Hugo Restrepo going to high school and it was as if a hero got here to high school as a result of he was Kraken’s guitarist. And at the moment there was no rock music taking part in on industrial radio, it was one thing unattainable. Kraken was a kind of first excellent bands. It was the primary rock live performance I went to and to see how this character and the band itself impacted me — once I noticed them I mentioned: “Wait! I need to be up there! I need to try this for all times. It remodeled me a lot, that I do not forget that live performance prefer it was yesterday.
Q. Now that you just’ve gone again to your origins, the place do you see your self shifting ahead?
A. I’m positively gonna hold stepping into the identical path, near this sound, , natural and rock oriented, and likewise convey components from folks music like percussion, all of the percussion from the Pacific and the Atlantic and the Caribbean, I actually love that sort of factor. I wanna play with musicians. I wanna really feel the drum behind me and the bass guitar and the guitar and the keyboards, and I wanna really feel that on the stage and likewise on the recording studio, as a result of I’ve been experimenting with various kinds of music and truly I work on my own with a pc more often than not, however I wanna report once more with musicians. I actually love that and I missed that quite a bit.